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2009

Bolas Terry . 2009. Screen Education : From film appreciation to media studies. :384. Abstract
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2008

Maule Rosanna . 2008. Beyond Auteurism: New Directions in Autorial Film Practices in France, Italy, and Spain since the 1980s.
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Wasson Haidee, Grieveson Lee . 2008. Inventing Film Studies. :480. Abstract
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Renov Michael, Donald James . 2008. The Sage Handbook of Film Studies. :536.
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Marcus Laura . 2008. The Tenth Muse: Writing about Cinema in the Modernist Period . :584. Abstract
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Zryd Michael R . 2008. The Avant-Garde and the Development of Film Study in America. Inventing Film Studies.
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2007

Polan Dana B . 2007. Scenes of Instruction : The Beginnings of the U.S. Study of Film. :406.
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Barlow Aaron . 2007. The Rise of the Blogosphere. Abstract
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Rodowick David Norman . 2007. The Virtual Life of Film. :193.
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2006

MacDonald Scott . 2006. 16mm: Reports of Its Death Are Greatly Exaggerated. Cinema Journal. 45:124-130.
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Fisher William, Harlow Jacqueline . 2006. Film and Media Studies and the Law of the DVD. Cinema Journal. 45:118-124.
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Wood Tony . 2006. Celluloid and Plasma [Book Review of Laura Mulvey's Death 24x]. New Left Review. :141-148. Abstract
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Zryd Michael R . 2006. The Academy and the Avant-Garde: A Relationship of Dependance and Resistance. Cinema Journal. 45
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Auerbach Johathan . 2006. American Studies and Film, Blindness and Insight. American Quarterly. 58(1):31-50. Abstract
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Casebier Allan . 2006. A New Theory in the Philosophy and History of Three Twentieth-Century Styles in Art : Modernism, Postmodernism, and Surrealism.
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Klinger Barbara . 2006. Beyond the Multiplex : Cinema, New Technologies, and the Home. Abstract
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Keathley Christian . 2006. Cinephilia and History, or, the Wind in the Trees. Abstract
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Mannoni Laurent . 2006. Histoire de la cinémathèque française. :507.
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Chun Wendy Hui Kyong, Keenan Thomas . 2006. New Media, Old Media : A History and Theory Reader. :418.
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Clifford James, Morphy Howard, Perkins Morgan . 2006. The Anthropology of Art : A Reader. Blackwell anthologies in social and cultural anthropology. Abstract
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Maule Rosanna . 2006. Du côté d'Europa, Via Asia: the Post-Hollywood Besson. The Films of Luc Besson: Master of Spectacle.
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Maule Rosanna . 2006. The Dialectics of Trans-national Identity and Female Desire in the Films of Claire Denis. Remapping World Cinema: Identity, Culture and Politics in Film. :73-85.
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2005

Cubbison Laurie . 2005. Anime Fans, DVDs, and the Authentic Text. The Velvet Light Trap. :45-47.
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Kendrick James . 2005. Aspect Ratios and Joe Six-Packs: Home Theater Enthusiasts' Battle to Legitimize the DVD Experience. The Velvet Light Trap. :58-70.
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Hight Craig . 2005. Making-of Documentaries on DVD: The Lord of the Rings Trilogy and Special Editions. The Velvet Light Trap. :4-17.
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Carroll Nathan . 2005. Unwrapping Archives : DVD Restorations and the Marketing of Authenticity. The Velvet Light Trap. :18-31.
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Caldwell John T . 2005. Welcome to the Viral Future of Cinema. Cinema Journal. 45:90-97.
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Brookey Robert Alan, Westerfelhaus Robert . 2005. The Digital Auteur: Branding Identity on the Monsters, Inc. DVD. Western Journal of Communication. 69:109-128.
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De Valck Marijke, Hagener Malte . 2005. Cinephilia: Movies, Love, and Memory. Film culture in transition. :236.
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Pidduck Julianne . 2005. La reine Margot. French film guides series..
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Wasson Haidee . 2005. Museum Movies : The Museum of Modern Art and the Birth of Art Cinema. :314.
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Barlow Aaron . 2005. The DVD Revolution : Movies, Culture, and Technology.
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Wartenberg Thomas E, Curran Angela . 2005. The Philosophy of Film : Introductory Text and Readings. :308.
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Parker Deborah, Parker Matt . 2005. DVDs and the Director's Intentions. The Philosophy of Film. Introductory Text and Readings. :123-133.
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2004

Hoffman Kay . 2004. Celluloid Goes Digital: Historical-Critical Editions of Films on DVD and the Internet: Proceedings of the First International Trier Conference on Film and New Media, October 2002 (review). The Moving Image. 4:161-164.
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Enticknap Leo . 2004. Some Bald Assertion by an Ignorant and Badly Educated Frenchman. Technology, Film Criticism, and the Restoration of Vertigo (1996). The Moving Image. 4:130-141.
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Elsaesser Thomas . 2004. The New Film History as Media Archaeology. Cinémas : revue d'études cinématographiques = journal of film studies. 14(2-3):75-117. Abstract
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Miller Toby, Stam Robert . 2004. A Companion to Film Theory. Blackwell companions in cultural studies ; 1..
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Pidduck Julianne . 2004. Contemporary Costume Film : Space, Place and the Past.
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Simpson Philip, Utterson Andrew, Shepherdson K J . 2004. Film Theory : Critical Concepts in Media and Cultural Studies. Critical concepts in media and cultural studies.
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