Conférence de Eugenie Brinkema

02/13/2015 - 16:00

This talk contemplates the figure of enchainment in one of the more graphic films of contemporary horror and exploitation cinema, Tom Six’s The Human Centipede (2009), which literalizes intolerable fastening, an anxiety of overclose touching, in the conceit of its title—a cruel violence

Conférence de Martin Barnier

01/30/2015 - 16:00

In considering why it took so long for cinema to acquire sound it is important to compare between different historical periods.

Conférence de Catherine Russell

01/16/2015 - 16:00

Although Walter Benjamin is frequently cited in film studies scholarship, there is little consensus on what he really offers the discipline.

Conférence de Daniel Herbert

11/07/2014 - 16:00
Historically, video stores in both big cities and small towns often served as de facto cinémathèques and informal “film schools.” Now that Netflix and other digital delivery services have largely destroyed the brick-and-mortar video rental industry, some surviving stores have made efforts to fo

Série de conférences Arthemis 2014-15

09/01/2014 - 00:00

Série de conférences Arthemis 2014-15

Avec Michael Cowan, Will Brooker, Daniel Herbert, Catherine Russell,Eugenie Brinkema, Jacques Aumont, Sarah Cooper

Derniers événements

Conférence
02/13/2015 - 16:00

This talk contemplates the figure of enchainment in one of the more graphic films of contemporary horror and exploitation cinema, Tom Six’s The Human Centipede (2009), which literalizes intolerable fastening, an anxiety of overclose touching, in the conceit of its title—a cruel violence in which three bodies are sewn to each other, mouth to anus.

Conférence
01/30/2015 - 16:00

In considering why it took so long for cinema to acquire sound it is important to compare between different historical periods. The slow-paced evolution of film sound (this was everything but a revolution) is not well known or documented in good measure because few people know just how diverse the environments for film screenings were during the first 30 years of cinema.

Publications

Article des membres
Auteur(s):
Lefebvre, Martin, Chateau, Dominique

Christian Metz is remembered today as having almost single-handedly transformed the culture of film studies. This widely held view was summarized by one commentator, who wrote that “with Metz a new research paradigm is born, as well as a new generation of scholars.

Nouvelles des partenaires

Activités partenaires
The notion of spectatorship, introduced by feminist film critics in the 1970s and developed throughout the 1990s, transformed the theory of the cinematic apparatus into a theory of cinema as a social technology.